don giovanni opera

When Giovanni, pleased at the prospect of another conquest, approaches to comfort her, she recognizes him as the man who had abandoned her. An der Leiche ihres Vaters schwört sie Vergeltung. Mozart's audacious opera combines enchanting music with a central character of fascinating psychological complexity, an archetypal figure who continues to provide food for thought 230 years after its creation. Scene 1. Recitativo “Orsù, spicciati presto” (“Come on now, hurry up”) from Act I, scene 4, of Mozart's, The aria “Madamina, il catalogo e questo” (“My dear lady, this is a list”); from Act I, scene 5, of Mozart's. LEPORELLO Kommt, erfrischt euch, ihr artigen Burschen. Donna Elvira gesteht, dass sie Don Giovanni immer noch liebt. Peasants, musicians, dancers, chorus of demons. Add Da Ponte’s captivating drama to the familiar tunes, and you have an immortal opera that never fails to attract fresh interpretations. The pieces sung by Don Giovanni can both roll as … They promise to bring the murderer to justice. Scene 2. DON GIOVANNI Ruht ein wenig, ihr reizenden Kinder! Its first performance in England may have been an amateur performance. It is about the character better known as Don Juan.The music was written by Wolfgang Amadeus Mozart.The libretto was written by Lorenzo da Ponte.The opera was first performed at the National Theatre in Prague on 29 October 1787. Der totgeglaubte Komtur erscheint. When Giovanni becomes angry, Leporello changes the subject to Giovanni’s catalogue of women. A servant ties Leporello to a chair. Veranstalter KölnMusik GmbH Ausdrucken; Abonnements und Angebote. Elvira returns and tries to tell the others what kind of man he really is, but Giovanni tells them that Elvira is mad and takes her away. Thursday, October 31, 2019. Other clever musical touches can be found in the well-known duet “Là ci darem la mano” in Act I. Don Giovanni’s famous Champagne Aria is exhilarating but almost vulgar, while the ineffectual loveliness of the tenor Don Ottavio is depicted in the long, languid lines of the character’s two ravishing solos, “Dalla sua pace” and “Il mio tesoro.” Donna Anna’s nobility are well reflected in her major arias. He married her, and then left her. Mozart started work on this new opera. Don Giovanni is set in and around Seville (now Sevilla), Spain, in the 17th century. Don Giovanni und Leporello treffen wieder zusammen und berichten sich von dem Erlebten. Giovanni and Leporello overhear the lament of an abandoned woman. Während der einstündigen Konzertpause werden alle Besucher gebeten, das Haus zu verlassen. Thu 7:30 PM. Ottavio says she is cruel to him. The direction bears the stamp of distinguished director and artistic director of the Royal Danish Opera, John Fulljames. In the garden outside Don Giovanni’s castle. Die Oper wurde am 29. Don Juan, ein Verführer, ein Libertin und Freigeist, der in Radikalität und Risikofreudigkeit über Gesetz und moralischen Verpflichtungen zu stehen scheint, polarisiert und fasziniert bis heute. Even the abundance of Mozart’s catchy melodies alone would be enough to make it a classic. Early in October, he went to Prague. Scene 3. Don Giovanni – zwischen Bewunderung und Verdammung wird er von Mit- und Nachwelt stilisiert: zum sinnlichen Verführer, gefühllosen Zyniker, todbringenden Dämon, triebgesteuerten Egoisten, traurigen Engel oder zur stolzen Verkörperung menschlicher Selbstverwirklichung. They promise again to bring him to justice. These arias contribute to the drama and move it forward. In 1979, Joseph Losey made a movie of the opera. They hide as she rages at her betrayal at the hands of a scoundrel who had seduced and then deserted her (“Ah! Like Figaro, Giovanni has held the stage from its premiere through to the present; it has fitted the nineteenth-century's wish for a Romantic, powerful Mozart and the twentieth-century's for a politicised, critical Mozart". The overture opens with a somber musical passage in D minor. Don Giovanni ladet die Mädchen, Leporello die Burschen, die soeben einen Tanz beendet, zum Sitzen ein. The Don Juan character became well known. Don Giovanni wants to seduce Elvira's maid. Mozart's audacious opera Don Giovanni was his second joint undertaking with librettist Lorenzo de Ponte (after Figaro and before Così). Don Giovanni is eating dinner. A nearby street. Mozart wrote some new music for the characters of Elvira and Ottavio. As the two men fight, Donna Anna disappears to call for Don Ottavio. Don Giovanni is an Italian opera in two acts. He beats Masetto and runs off. Finden Sie perfekte Stock-Fotos zum Thema Don Giovanni sowie redaktionelle Newsbilder von Getty Images. Won over, Zerlina agrees. No one other than Mozart can do it so well – opera soprano singer Seljan Nasibli tells Christine Manby [15], Nicholas Kenyon writes: "The power Don Giovanni unleashes is almost too great; if it is an uneven work then it is only imperfect in the way that King Lear is imperfect, from an excess of feeling. [10], Mozart wrote most of Don Giovanni in the summer of 1787 in Vienna. When they return, they discover Commendatore has been killed. The two leave to get dinner ready. A duel ensues and Giovanni kills the Commendatore. He hurries away. Saturday, November 2, 2019. See all 3 formats and editions Hide other formats and editions. Evening on a street in Seville. Giovanni reunites the two and invites them to his castle to join the party. [5] This play is the source of all the Don Juan stories and plays that were written after it. Scene 3. They promise to bring Don Giovanni to justice. Leporello, curtly explaining to her that she is not his master’s only victim and will surely not be the last, relates the catalogue of Giovanni’s conquests to her (“Madamina, il catalogo è questo”): 640 in Italy, 231 in Germany, 100 in France, a mere 91 in Turkey, but 1,003 in Spain! A street. There were other operas written about Don Juan. Zwischen Donna Anna und Don Giovanni kommt es zum Streit; unvermutet taucht auch noch Annas Vater, der Komtur, auf, der die Ehre seiner Tochter verteidigen will. A street in Seville. Ring in the new year with a Britannica Membership, https://www.britannica.com/topic/Don-Giovanni-opera-by-Mozart. Christof Loy's production stars Christopher Maltman as Don Giovanni, now a desperate and lonely anti-hero, always eluded by success. 1985: Samuel Ramey (Don Giovanni), Anna Tomowa-Sintow (Donna Anna), Agnes Baltsa (Donna Elvira), Kathleen Battle (Zerlina), Gösta Winbergh (Don Ottavio), Ferruccio Furlanetto (Leporello), Alexander Malta (Masetto), Paata Burchuladze (Commendatore); Chor der Deutschen Oper Berlin, Berliner Philharmoniker, 1990: William Shimell (Don Giovanni), Cheryl Studer (Donna Anna), Carlo Vaness (Donna Elvira), Susanne Mentzer (Zerlina), Frank Lopardo (Don Ottavio), Samuel Ramey (Leporello), Natale de Carolis (Masetto), Jan-Hendrik Rootering (Commendatore); Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Riccardo Muti - (EMI Classics), 1990: Thomas Allen (Don Giovanni), Sharon Sweet (Donna Anna), Karita Mattila (Donna Elvira), Marie McLaughlin (Zerlina), Francisco Araiza (Don Ottavio), Simone Alaimo (Leporello), Claudio Otelli (Masetto), Robert Lloyd (Commendatore); Ambrosian Opera Chorus, Academy of St. Martin-in-the-Fields, Neville Marriner - (Philips), 1994: Rodney Gilfry (Don Giovanni), Luba Orgonasova (Donna Anna), Charlotte Margiono (Donna Elvira), Eirian James (Zerlina), Christoph Prégardien (Don Ottavio), Ildebrando D'Arcangelo (Leporello), Julian Clarkson (Masetto), Andrea Silvestrelli (Commendatore); Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner - (Archiv Produktion), 1996: Bryn Terfel (Don Giovanni), Renée Fleming (Donna Anna), Ann Murray (Donna Elvira), Monica Groop (Zerlina), Herbert Lippert (Don Ottavio), Michele Pertusi (Leporello), Roberto Scaltriti (Masetto), Mario Luperi (Commendatore); London Voices, London Philharmonic Orchestra, Georg Solti - (Decca), 1997: Simon Keenlyside (Don Giovanni), Carmela Remigio (Donna Anna), Soile Isokoski (Donna Elvira), Patrizia Pace (Zerlina), Uwe Heilmann (Don Ottavio), Bryn Terfel (Leporello), Ildebrando D'Arcangelo (Masetto), Matti Salminen (Commendatore); Coro Di Ferrara Musica, Chamber Orchestra of Europe, Claudio Abbado - (Deutsche Grammophon). 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